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David Cronenberg in conversation with Markus Schinwald about cinematic sublimation and blank beginnings. An interview with Tom Burr about camp, appropriation, and the political. We ask players in the art world about Occupy Wall Street. Fabrice Stroun on Jim Shaw’s key work, O-ismus. Annika von Hauswolff on Maurice Blanchot’s “The Madness of the Day”. PURCHASE EPAPER →

<p data-mce-fragment="1">David Cronenberg in conversation with Markus Schinwald about cinematic sublimation and blank beginnings. An interview with Tom Burr about camp, appropriation, and the political. We ask players in the art world about Occupy Wall Street. Fabrice Stroun on Jim Shaw’s key work, <em data-mce-fragment="1">O-ismus</em>. Annika von Hauswolff on Maurice Blanchot’s “The Madness of the Day”.</p>
<p data-mce-fragment="1"><a href="https://shop.spikeartmagazine.com/product/spike-epaper-issue-30"><strong>PURCHASE EPAPER → </strong></a></p>
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ISSUE 30 (WINTER 2011)

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