ISSUE 26 (WINTER 2010)

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Curator Adam Carr investigates the influence of domestic space on the artistic mindset. Andreas Schlaegel asks how much advertising art can tolerate. Raimar Stange believes Paul Gernes is one of the most underappreciated trailblazers of contemporary art. Joanna Fiduccia writes about the meaning of the machine in the work of German artist Rosemarie Trockel.

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